Tuesday, July 20, 2010

Cowichan Bay

Sight -
My sliding sidelong glance caught
your eyes at the windows of my soul
and there I stopped - on yours,
brown and moist land against
the blue sea, mine.
I felt your glance, surprised to
find it there. Amazed that I could
see where once I bumped my way to
walls, to trees, to open air
apprehending my surroundings.
How your tongue found its way to
my eyes I cannot say; how your saliva
healed me I do not know, but now
I marvel at your perfect teeth and
leap my way home to put a mirror
on my ceiling.
Rojan Zét is the resident poet of the Cowichan Valley Arts Café
Her Name -
Muse me, move me, use but don't abuse me.
Yours for a month, to see and do, one
August is pleasure for me with you.
As sure as winter, we'll say goodbye
but never forget what you did for my eye.

Suggestive -
I suggest you take your pretty face
with your perfect teeth and bring them
to my table so together some friday night
alone until sunday's french toast melts in
your mouth we can dine and dine and
dine.

Closing Time -
Evening darkens, lights come on,
musicians play their final song
while patrons take their leave and
fly to homes and families nearby.
Coffee's poured, the door is locked,
dishes stowed while boats are docked,
cars unpark and drive away, I
take my things and go my way.
Lights in the harbour nod and wink,
our feet step upward while we think
of summer and the setting sun
- a moment that has just begun.


Rojan Zét

Tuesday, July 13, 2010

Vancouver Island Wishes


Wish, photography by Julie Nygaard, 2008
"Wish"
photography by Julie Nygaard, 2008

define wish:

Classically the wish provider is often a spirit, Genie or similar entity, bound or constrained within a commonplace object (Aladdin's oil lamp for example) or a container closed with Solomon's seal, or a Vancouver Island dandelion.

Releasing the entity from its constraint, usually by some simple action like a puff of air, allows the object's possessor to make a wish.

The Vancouver Island dandelion may be grateful to be free of its constraint and the wish is a thank-you gift. Or it may, by its nature, be unable to exercise its powers without an initiator.

Many believe such wishes can only come true if you keep them a secret from other people and you find a suitable Vancouver Island dandelion.


Monday, July 12, 2010

Closure

© 2010 Manuel Erickson

I hope you live into the Twenty-first Century, Dad, I often wished to myself. Not only would it have made me proud to have had a father who lived that long, it would say something about my own longevity. Long life is in the genes, but genes do strange things. They can jump over the next generation and benefit only the one after, so I have no guarantee that I’ll live to my father’s age. Many people have lived to one hundred and beyond; but ninety-five years of life is pretty good.

I heard about my father’s death directly from my brother, Wilf. It was just after seven in the morning on Monday, October the twenty-seventh and Martha was almost ready to leave for her high school teaching job. I was in the bathroom and thought I heard a voice on the answering machine, so I went to the kitchen to monitor the call.

“It was very peaceful for him,” I heard Wilf saying. My hand flew to the phone, then hesitated; I didn’t want to break down over the phone. Wilf continued, “The lady in the next bed said he didn’t suffer.” My hand rested on the phone, but didn’t pick it up. I trembled. Wilf’s voice changed from a reporting tone to a deeply personal, concerned one. “I hope this news doesn’t upset you too much, Manuel.” Then he was gone.

Martha came into the kitchen, smiling. “Oh, here you are! I thought you were in the bathroom.”

“My father died.”

“Oh, Manuel!” and her arms were suddenly tight about me, holding me, protecting me, soothing, loving. “Oh! I didn’t know! Oh, Manuel!” she sobbed.

“It’s all right,” I said. “It’s all right; don’t cry… He lived a long life…” I hugged her back, kissed her lightly on the neck and stroked her hair. It was not a good way to start her day, but in a few minutes she drove off to school.

The last thing I said to my father before he died in 1997 was not vocalized, but written. I had sent him a birthday card with a verse I wrote that spoke not about love, but about how much easier it was to write my own message for him than to search for a suitable one in a commercial shop.

I don’t know if doing that, or if searching in a shop until my feet ached, would have been the greater act of love. Was the easy way -- doing it on my computer -- a loving act? The card did have my handwriting on it and a hand-drawn heart, but I didn’t really know if I meant it when I typed “All our love, Dad, on your 95th birthday!” Now that he had died, I felt a sense of profound loss, not just because he was my father, a personal link between me and the larger family, but also that a connection I had had with the Twentieth Century -- from the Wright Brothers to the threshold of a new millenium -- was severed.

My father’s death wasn’t unexpected. Daily, he had been getting more frail. Afterwards, the doctors discovered the reason for the progressive frailty (like shutting the barn door after the horses have bolted): liquid had been leaking into the region around his heart for some time, perhaps for years, making it difficult for the organ to pump. Finally, it simply stopped.

Strange, isn’t it? My father believed that if he ate healthfully and exercised regularly, he would live to at least ninety. Soon after his ninetieth birthday, however, degeneration seemed to take hold. It became a chore for him to walk. Over the next few years he became short of breath after only a few steps. His memory, which showed signs of deterioration after Mom’s death thirteen years before, became weaker. Dad was becoming a wisp of what he had been -- physically strong, quick-witted, temper-ridden and argumentative.

Four days before he died, my father apparently decided to phone for an ambulance because he was not feeling well. He went to the Toronto Western Hospital where the staff knew him from previous visits. They placed him in a room with an older female patient who told Wilf what happened. The day before he died he sat up in bed, making strange movements.

“What are you doing, Mr. Erickson?”

Dad smiled at her. “My exercises,” he answered as he slowly extended his arms straight out from his chest, then swung them sideways.

Wilf told me that the following day the other patient and my father were talking animatedly, when he grew quiet.

“Mr. Erickson?” No answer. “Mr. Erickson!” Wilf said that she looked at his monitor and saw the horizontal line across the screen. Almost instinctively, she pressed the help button. Dad’s head lay on the pillow along his shoulder. No family member had been present. He died alone, exemplifying what he thought was his lack of friends and his family’s nonchalant attitude. All his siblings had died, so he was the last of his family’s generation.

I didn’t want either of my parents to die alone, any more than I want to. But they did, both of them. My mother’s immediate family and circle of friends was large, but they all pre-deceased her, so she died alone. Dad felt that he had few, if any, friends. His lonely death seemed to prove his point.

How forlorn I felt for him -- for both of them! Dad had lived in Toronto, the central city of the far-flung metropolises that housed his three sons: Ottawa, London and Vancouver. I was the farthest away.

My wretchedness and guilt were pervasive. I didn’t realize Dad was in the hospital or the seriousness of his illness. Had I known, would I have gone to see him? Probably, but now I’ll never know.

*

One of my earliest memories of Dad, when I was a pre-teen and he was arguing with my mother, was his grief-filled cry that he made friends with painful difficulty. Despite that, he would often divest himself of friendship when it did come his way. An example was Brian MacConnell.

A retired gentleman of about sixty-five or seventy, Brian lived with his wife, Emily, on Glenholme Avenue, a short walk from Dad’s house on Lauder Avenue. Since Dad had trouble walking, Brian visited him. They would sit on the verandah and chat about science, politics and history. Wilf told me the story.

One day Brian said, “You know, Harry, I’m worried about you.”

Knowing Dad, his ears probably picked up like a cat’s. “Oh? Why?”

“Well,” Brian explained, “here you are living alone in a two-storey house. What if something happened to you? Suppose you fell down the stairs? Who could come over and help you?”

“Well, I don’t know… There’s the Piazzas across the street, but they don’t have a key.”

“Exactly, Harry. No one has a key to your house. I think you should give me a key so I can come in and help you if you need it. I would only do that if I couldn’t get hold of you.”

Unsmiling, Dad looked at him. His eyes narrowed. “I’ll think about it.” With that, he got up, went into the house and shut the door, leaving Brian alone on the verandah.

Shortly after, he had all the locks changed, and Dad’s relationship with Brian was severed.

If my father had not been so distrustful and secretive he might have made many friends. With only a grade eight education, he set about learning a trade and how to run a business. At first he worked alone, but as his reputation for quality spread and his business grew, he took on help and moved into a building that he had had constructed and which, in later years, he doubled in size. Dad was, in effect, a self-made businessman. By itself, the experience would have been enough so that others would have found him interesting, but he told me that he felt he lacked the formal education to attract friends. So he started to read. He read voraciously in the field in which he was mainly interested -- socialism. I often perused his bookcase, where he kept a many-volumed collection of the works of Karl Marx, published in English in Moscow. Reams of books on his favourite topics -- socialism and science -- added unusual weight to the bookcase. Sometimes I would suggest to my father that he was a self-educated person who knew more about his field than most people, and that he likely had the equivalent of a B.A. if not a Masters degree. In answer, he would suppress a smile, manufacture a frown and pretend to scoff. He did not accept praise easily, a trait I learned from him.

Many people came to my father’s funeral. Most were from Toronto and its immediate surroundings, but some came from as far as Chicago, Calgary and Vancouver. Dad felt he had few friends, but the forty or so at his funeral put the lie to that.

Again, it was Brian MacConnell who so humorously illustrated Dad’s bastion of secrecy. After Wilf, David and I and our spouses arrived for the eleven o’clock graveside ceremony, the rabbi, before conducting the service, gathered us together in my cousin’s minivan. There, we spoke in soft voices with the rabbi. He asked many probing questions about the history of our family, Dad’s upholstery business and, not least important, the relationships of the family members. Reminiscences flowed, eyes misted and sobs were choked off.

Before it ended, Brian arrived. He asked someone when the ceremony would begin and someone said, “After the rabbi has finished speaking with the family.”

“Rabbi? Why is a rabbi here? Come to think of it, why are we in a Jewish cemetery?”

“Because Harry was Jewish.”

“Jewish? I never knew that.”

The truth is that my father was an anti-Semite, an attitude which began, he told me, when he had a disagreement with his father, Philip Isaacson. My father, then a young, working teenager, entered the living room where Philip was reading the Toronto Telegram, a newspaper known even then as a right-wing publication. (When it shut down, it morphed as the Toronto Sun.)

Perhaps because of a story he had just read, my grandfather commented, “This paper, the Telegram, is on the side of the workers.”

My father was aghast. “On the side of the workers? It most certainly is not! It’s an evil, capitalist paper!”

Enraged, Grandfather ordered Dad to sit and to extend his hands palms down. He took a ruler, stood up and struck my father hard across the knuckles of both hands. Needless to say, his action ended any possibilities for discussion between him and his growing, social activist-thinking son.

As my father gained work experience and trained as an upholsterer over the years, he listened to and watched the members of Toronto’s Jewish community, including his own siblings. He concluded that most of them did not care about real social change, and that they despised Soviet communism which he championed. After marrying, he attended Holy Blossom Temple synagogue services only to appease my mother’s desire for her sons to have a “Jewish” education. He listened to the rabbi and conversed with other members of the synagogue, but felt that most of Toronto’s Jews were of the same ilk as his father and siblings: against social change and despising Soviet communism. He began to dislike these Jews and applied the same tarnish to Jews around the world.

Yet, Dad knew that some Jews were different. Joseph Salsberg led the Canadian Communist Party for many years, a fact that he ignored. Emil Gartner, a distinguished Canadian musician and conductor of the Toronto Jewish Folk Choir, was once barred by my father from visiting us at home because the maestro was, in fact, a communist.

How did he rectify his treatment of these two community leaders with his championing of Soviet communism? By then, Dad was running an upholstery business from the basement of our house. He did not want the business to suffer because of possible rumors that a communist had visited us; being Jewish was hard enough. It was a double standard, of course, but Dad either didn’t recognize it or chose to ignore it.

Dad told me that when he started his upholstery business, he wanted his older brother, Wilf, to help financially. Uncle Wilf was a pharmacist and a successful drug store owner who, in later years, merged with another drug store. The merger eventually became Shoppers Drug Mart. My father didn’t say why, but he was unsuccessful with Uncle Wilf. So he approached his younger brothers, Nathan and Sam, neither of whom would buy into Dad’s business, perhaps because their incomes were so small. Upset and feeling let down, Dad harbored a grudge against his brothers for the rest of his life.

The first nation to recognize Israel upon its founding in 1948 was the Soviet Union. My father could not help showing his pleasure. Here were two socialist states, the older one helping out the newborn. It did not matter to him that David ben Gurion had been a member of the Palmach (a group fighting for independence against the British Mandate) and Menachem Begin the leader of the terrorist Stern Gang, or that the USSR’s main interest was to gain a toe-hold in the Middle East.

In 1956, at age twenty-two, I decided to live in Israel for at least a year to determine if I wanted to “make aliyah”: to emigrate there. By then the United States had become Israel’s closest ally, and the Soviet Union one of its fiercest critics. Diplomatic relations with the Soviets had broken off. Not surprisingly, Dad became anti-Israel, anti-Zionist and even more anti-Jewish.

My decision to go to Israel just after the 1956 war was probably the first of many disappointments my father experienced with me. He advised me to stay home, get a good-paying job and save to buy a home. My only interest at the time was to answer what I thought was a call to visit that land of profound history that meant so much to the West in terms of its religions and civilization -- the land that bore the Jews who had had a disproportionately large influence on world affairs (and still do), the land which both Arabs and Jews claim as their own. I knew my journey would also take me to places I had read and studied about: Barcelona, Milan, the Corinth Canal, Venice, Crete. I couldn’t stay home and get a job -- I had to go!

The day before I left, encouraged by my mother (“Gieb’m, Harry, gieb’m! -- Give to him, Harry!”), Dad doubled the amount of money I took with me. I had the wonderful sum of five hundred dollars for a year’s journey. I don’t think he ever forgave Israel for stealing my heart.


~ © 2010 Manuel Erickson

Sunday, July 11, 2010

Peace Lily

"Peace Lily", photography by Julie Nygaard, 2008


Peace Lily, photography by Julie Nygaard, 2008

... my favorite plant / flower
~ Julie

Saturday, July 10, 2010

Abrupt Departure for School, by Susan Christensen

Awe, edged with fear, swooped down from the leaden sky
onto the uneasy surface of the forested lake.
Children pelted down to the shore;
Crows raucously scattered to the skies. The silver wake churned
as the plane taxied slowly towards the pebbled beach.

Men with moon-lit and yellowed hair secured their craft
while belatedly shy but curious small faces peeked,
bright-eyed from behind the brush.
Elders eased forward, protectively shoving the young ones back.

Gifts! Sweet hard rocks to melt on the tongue.
Small metal bowls with carrying handles. Treasures!
These aliens understood courtesy. What would they like in trade?
Deer hides? Newly dried fish?

They must be fed; they must be feted.
Menfolk, with quiet dignity, led the way,
introduced the fair-haired visitors to the settlement.
Womenfolk built up the fires. Meat was set on to cook.

The smiling newcomers loved the little ones.
This was obvious; this was good.
The village slurped the hard candies with gusto.
Elders stared from the sides of their eyes at the strange foreign laughs.

With a few words and many encouraging gestures,
the little ones were invited to see inside the plane.
None could resist the silver vessel afloat upon the lapping waves.
Elders smiled worriedly as the boys and a few bold girls
went giggling into the belly of the float plane.

Coiled rope in hand, the silver-haired stranger
stepped up on the float, swung into the doorway, and
slammed the door.
Startled elders roared, then plunged into the water
grasping ineffectually at the slippery wet metal.

Their cries were muted by the spluttering engines
which soon revved to a deafening pitch.
The vessel turned into the light wind
and drew away from shore.

Engine shrieks out-blasted children’s cries of fear.
Elders’ screams were muted by the winds.
Small eyes, round with terror,
peered down from small portals.

Their last sight of their shrunken village
was of figures, with mouths wide
Shaking fists up at them.


~ by Susan Christensen
(The break-up of a culture; the start of the residential school experience. Alienation.)

Tuesday, July 6, 2010

Snype Drumming

"Snype Drumming", painting with light by Ron Greenaway. Inspired by the poem "Snype Hunting" by Rojan Zét

Vancouver Island Snype Drumming, painting with light, by Ron Greenaway
"Snype Drumming", painting with light by Ron Greenaway

Monday, July 5, 2010

Snype Hunting, a poem by Rojan Zét

Snype Hunting

Seldom seen, rarely heard, near Chemainus
there lives a bird said by the natives
to be nocturnal, very lovely when observed.
But sightings few and far between give
rise to rumours undeserved that the wily
Snype undocumented cannot be real, must
be invented.Rojan Zét is the resident poet of the Cowichan Valley Arts Café

So just for the record let me say, I
think I saw one yesterday. Out on the
marshes, between the reeds, not far from
where the heron feeds, a movement across
my vision blurred and I glanced where I
saw something stirring, a flash of red
and brown was whirring. Right before
my eyes this bird, not seen in any skies,
drumming strong and strumming long its
dance amid strange goings on.

And then it came to me - last summer,
near the ferns above the river - heard
one night while I was humming, this same
drumming, the self-same strumming. Now
displayed without disguise, this bird
before my very eyes, its plumes arrayed in
radiant glory telling me its untold story...

long ago in times of old those wings once
flew its glory - big, strong, and bold.
Gigantic flocks obscured the sun but now
it hides because it's sorry. Something
happened long ago but what it was, I
still don't know.

Bobbing its head as though in fright,
bowing and turning left then right, low
to the ground, its eyes downcast, tail
feathers tall, erect and trusty, bright
with colours looking somewhat rusty,
this dancing bird said something funny
while something else smelled, old and
musty.

Entranced I watched - mesmerized - and
in a moment, hypnotized. The next
second I awoke and thought I'd heard
a bird that spoke, but to this day
I can't recall if there was anything
it said at all. They think this bird
is mute and does not fly, more research
will be needed to discover why.

Rojan Zét

Friday, July 2, 2010

Paul Fletcher, fotographer

Profile of an Artist

Artwork by Paul Fletcher
Artwork by Paul Fletcher
As a traveler I am always searching for the image. I thirst for this experience, the discovery of a new image, one that is etched in my memory the moment it is seen or the moment the shutter is pressed.

Sometimes I see something that is not quite there, a visual enticement that does not show itself fully. Sometimes I have to search with my bare eye, or sometimes with my eye pressed tight to the viewfinder. Doesn’t matter, it’s all in the seeing. The sub-conscious guidance to the perfect visual end has to be trusted without physical intervention. This is when the magic happens and the inner voice whispers Now!, and I trip the shutter. There is nothing to review to confirm the certainty of success. It is already known.

Please share my joy at www.fletcherfoto.ca

Thursday, July 1, 2010

Daniel Deschamps, multimedia

Profile of an Artist

Daniel Deschamps
Daniel Deschamps
Daniel Deschamps is native to New Caledonia, a South Pacific Island. In 1989, during a time of civil war, he and his family immigrated to Canada.

Daniel is Metis; his multicultural heritage has gifted him with a unique cultural and religious upbringing. This is reflected in his art which displays a rich layer of tradition. His work is inspired from his roots, contemporary life and from history. His love of God is often reflected in his work.
Oracion, artwork by Daniel Deschamps
Oracion, artwork by Daniel Deschamps

Daniel is a talented and prolific artist. Ranging from illustration to stone work and pottery, Daniel has an obsession for art. He will re-purpose many found objects to satisfy this need. At times, he will paint on cardboard, sculpt in foam, or draw on his arm simply to satisfy this obsession.

His thinking is that function precedes form and so, form can be transformed to suit a new function. For example, he once converted an old bed frame into three easels for his studio.

Daniel recently won an Award of Merit for a pen and ink illustration titled "Oracion" in the Cowichan Valley's 2010 SASS-e Spring Art Show Sale and Extravaganza.

Manuel Erickson, writer

Profile of an Artist
Manuel Erickson
Manuel Erickson
photo by Brian Dickinson

Writing, I think, is much like photography, painting, sculpture or music: the subject matter is infinite, the meanings, profound – all because of the intricacies and myriad forms of life on our planet. My talent, such as it is, is pretty much confined to writing, though I love to photograph the nearby woods and to play my piano. Painting and sculpture? I can’t do either, but I can certainly appreciate good works.

As with all forms of art, writing helps to reveal our spirit and emotions to others. I admire writers who succeed so well at this and I try to learn from them. Shakespeare comes to mind, as do Margaret Atwood, Richard Bach, Jared Diamond, Arthur C. Clark and a host of others. They write in the gigantic book that is the Earth. They are my mentors and I am inspired by them.

There is something to learn from each book I read, whether it’s an autobiography, novel, or non-fiction. I’ve learned that detail makes a piece of writing come alive on the page because it draws the reader into the words. Detail is akin to a multi-coloured painting or a complex composition by Bach or Beethoven: it holds our interest.

At the same time, simplicity, the antithesis of detail, can be emotionally explosive, especially black-and-white photographs of people or landscapes hung over by rain clouds. So, too, can a colour photograph of a single, tiny, five-petal flower, mesmerizing the viewer with its beauty.

Where does a writer get ideas? That’s the common question. The answer is – from Everywhere; from Anywhere; from inside oneself; from conflict among humans or in Nature; from situations; from newspaper articles; from bland descriptions that can flame into a story... Never has there been a single answer.

As does a good photographer, painter, sculptor or musician, with any piece of writing I am trying to tell a story in the best way I can. Yet it is often a mere snapshot in time, catching a momentary situation on a certain day or in a particular year or over several years or decades. I think my steam train stories, published in the anthology, Through the Window of a Train, are like that.

Subject matter is infinite and I wish the days were longer, my energy unlimited, and my writing ability, too! There is so much to say.

~ Manuel Erickson


Moderator's note: Manuel Erickson is a contributing author to the Cowichan Valley Arts Café. Find a list of his here.